999,00 EGP
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Customers say
Customers find the book inspiring and informative. They describe it as an interesting and practical read for artists of all levels. The book offers a different perspective from the mainstream methods and is highly recommended for young artists.
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Book review
Making Art Making Money is an engaging read that stands out for its clear writing and well-structured narrative. Elizabeth Reaâs ability to present complex ideas about the art world in a straightforward, easy-to-follow manner makes the book approachable for readers of all levels. The pacing is just right, and the language flows, ensuring that you can stay immersed in the content without feeling bogged down or overwhelmed. Whether you’re a newcomer to this subject matter or a professional artist, the book provides a smooth and interesting experience. The book is gorgeous, fun, and intelligent. Overall, it’s a highly well-written work that strikes a perfect balance between depth and clarity.
A must read for young artists
I bought this book because my teenage daughter wants to become a fine artist and Iâm very concerned about her potential career path. I had absolutely no idea how the art establishment stacks the odds against fine artists.What I loved about this book is that Ann Elizabeth Rea is showing fine artists how to take their power back by taking responsibility for their success instead of waiting to be discovered, which happens very very rarely.
Revolutionary
If you really want to learn how you can sell your fine art as an artist and succeed, give this a read. No other source like this. Offers a different but inspiring perspective from the mainstream methods artists have been hoping would work. It’s not about hoping for success someday by being discovered, getting exposure or getting into galleries. Artist and author Ann Elizabeth Rae tells her story and experience of how she discovered the underlying concepts of this new perspective, or revolution as she puts it, that is the basis of the Making Art Making Money School of Business program that she offers to artists who really want to get serious about selling their art. Stories of students she has helped are included as well that are sure to inspire. The simple, clean design and layout of the book itself makes it easy to follow. Key points are emphasized visually to help get the message across.
Cannot recommend enough!
This book helps you understand not just what you’re selling as an artist, but why you are called to create. If you’re feeling lost or uncertain about your place in the art world today, this book will help you rediscover your path. Highly recommended for any artist, especially those looking for a renewed sense of purpose and direction in their career.
This book changed my whole outlook
If youâre an artist, or know one, this book can change your life!When I young, I wanted to âbreak into the art world.â Of course that didnât happen⦠I struggled in many ways. Art school was not much help either. They did not teach me what every artist can learn and needs to knowâ-how to sell more art.Annâs approach as shared in this book changed the way I look at my life as an artist. A way with vision, purpose, and a certain way of being that can lead to more sales, higher prices, better relationships, and peace of mind.
Great book
So many lies exposed.
Amazing, practical and informative!
Why none of this is taught in art schools is an absolute tragedy. Because had I known what I now know from this revolutionary book my life wouldâve taken a very different turn as a fine artist. Better late than never read this book now.
It calls out the art world’s bs, but…
Ann Elizabeth Rae’s “Yes You Can Make a Better Living as a Fine Artist” jumps right into a bracing critique of the art world, and for many artists, myself included, her frankness will likely resonate. She doesn’t shy away from calling out the often-superficial nature of publications, art fairs, and even museums, echoing frustrations many of us have experienced. Rae’s concept of the “Tyranny of Hope” â the often-unrealistic expectations and outdated advice given to artists â truly hit home, and her debunking of common myths about building an art career provided several ‘a-ha’ moments. You get the sense that she genuinely understands the challenges artists face in trying to make a living from their passion.Rae introduces what she states will be ten key tenets for artists to embrace, though the book actually lists eleven. These tenets, which emphasize taking control of one’s career, focusing on sales over simply showing work, and understanding that art is fundamentally about emotion, offer a compelling framework for rethinking the traditional approach to an art practice.However, the book is not without its significant flaws. One recurring issue is the presentation of anecdotes involving individuals and institutions. Instead of anonymizing them through rephrasing, the author opts to simply cross out names within the text. This creates a visually distracting and often frustrating reading experience, hindering the flow and making it difficult to fully engage with the stories.Furthermore, the theme of negative experiences with men surfaces repeatedly. As the author herself quotes a successful ceramist saying, “The art world is a man’s game. Youâre going to need to take the reins,” this perspective is woven throughout the narrative, often focusing on negative encounters with male figures. While the author’s personal experiences are valid, the consistent focus and lack of contrasting positive examples may not resonate with all readers.Structurally, the book also presents some challenges. The final chapter feels rushed and disorganized, making it difficult to discern who is speaking in the rapid succession of quotes and statements. This abrupt ending detracts from the overall impact of the book. Additionally, the inclusion of the anecdote about the instructor asking a student, Leisa, about her challenges before joining the program â with Leisa citing the instructor’s lack of self-assurance and organization â remains a point of confusion regarding the timeline and context.Finally, while “Yes You Can Make a Better Living as a Fine Artist” raises important questions and offers some empowering perspectives, it ultimately feels more like an extended advertisement for the author’s programs than a comprehensive, actionable guide. The specific steps and strategies needed to implement the book’s core tenets are often lacking. The non-functioning link to a five-part online course at the end further reinforces this impression. While the book offers some valuable insights and a much-needed dose of reality, readers looking for concrete, step-by-step guidance may find themselves disappointed.